Five hedges

One of the many interesting things about working from a narrow aspect, in this case, a door/window of narrow proportions, is that, due to the closeness of my self to the surface and the closeness of the outside to the inside, is that often, I am not sure what I am looking at and because of that, the marks on the surface start to have a life of their own, related to but not of the hedge, in this case. I like that. I like that one can just let go of it. I observe the hedge, sometimes that is all I do in a day and then start to make something that is itself primarily.