These four paintings began following some small paintings on paper, once again an outcome of observing small patches of terrain whilst walking.
I have been trying to keep the surface alive and allow the pentimenti to be influential. Imagining this first painting on a much larger scale of course leads one to ask how certain areas would work and whether more erasure would be needed, or whether further saturation of certain areas would be obvious once the scale increased.
Even with a small piece like this, I work with the surface flat and have no preference for which way is up. That decision will come later.