Untitled. oil on wood. 120x120 cms.
In a long article by Sarah Whitfield entitled A System of Vision, there is a passage which I find to be very pertinent in that it both describes a working practice and an interaction possible between the maker of and the viewer of a painting. Corot says, "I behave like a child blowing a soap bubble. It is very small but already round and he blows very softly until he is a afraid that it will burst."
The tension implicit in the idea of a painting ,(as Ms Whitfield says) inflated by a long slow exhalation of breath can be particularly apt. I like the idea of the work being inhaled; giving up
its delicacy slowly