I read a while ( I think it was Susan Rothenberg who when asked if she had had a good day in the studio replied that she had read a good book) , and thought about where the emotive power of some of the past paintings had gone and whether it was possible to bring that elusive quality to the abstraction of the experience of the woodland edge. There is something that I would like to distil from Martin Buber's Presence and Object and work with it or work something of it into these paintings.
small photo
on the cusp of...
small photo
on the cusp of...
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