tag:blogger.com,1999:blog-2032543748745851870.post5402617951434349081..comments2024-01-31T12:24:58.246-08:00Comments on ian warburton: Eleven garden paintings: towards an understanding. In which the painter looks but may not understand what to make of it.ian warburtonhttp://www.blogger.com/profile/11484227453277793380noreply@blogger.comBlogger2125tag:blogger.com,1999:blog-2032543748745851870.post-41076485703141310672014-03-26T06:34:22.023-07:002014-03-26T06:34:22.023-07:00http://www.newrepublic.com/article/art/generations...http://www.newrepublic.com/article/art/generations<br /><br />Great Jed Perl essay<br /><br />Sharon Knettellhttps://www.blogger.com/profile/04024744293096824911noreply@blogger.comtag:blogger.com,1999:blog-2032543748745851870.post-34957948482186672722014-03-23T14:42:09.545-07:002014-03-23T14:42:09.545-07:00Ian- these are some of the most lyrical and lovely...Ian- these are some of the most lyrical and lovely paintings you have painted. Color, design, balance, all work.<br /><br />I know what you mean about not wanting to paint what you are not interested in- still-lifes. I am slogging thru one as I admire Ian Uglow so much and I want to work out some difficult color for a large figurative I am working on.<br /><br /><br />I am trying to use the bold primaries of a Matisse in a classic figurative.<br /><br />This may be the LAST still-life I do! I find them a complete yawn.<br /><br />Sharon Knettellhttps://www.blogger.com/profile/04024744293096824911noreply@blogger.com